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Cantata.

Cantata. A voce sola di Soprano Con accompagnamento di Piano Forte.

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Bookseller Notes

A similar manuscript is held at Northwestern University, and attributed to Gastoldi (c. 1554 to 1609), though, on enquiry, it appears that their manuscript is accompanied by a note "Gastoldi?? No information available. Not in HH." The style of the music, however, in accord with our own copy, appears to be early Classical rather than late Renaissance. A Giovanni Gastaldi has proved very difficult to trace. His Cantata in E-flat major, with its balanced phrases and bold modulation (to E-flat minor/G-flat major) suggests that this is a fair copy of a near contemporary work. The work itself is composed of more melodic sections interspersed with recitative, with much ornamentation in the vocal and right hand lines.The light Ariette all follow a simple model, opening in the major (A, D, E, G etc.) and modulating to the dominant for the middle section, again with an ornamented vocal line with Alberti bass and similar devices from the keyboard.

Description

manuscript music for soprano and keyboard ('cembalo' inscribed beside stave), 3 staves per system, 3 systems per page, p. 22, oblong folio, self wrappers, sewn, [with] Quattro Ariette e due Duettini Notturni Con Accompagnamento di Clavicembalo. 4 songs in manuscript for soprano and keyboard, 3 staves per system, 3 systems per page, 2 songs for soprano duet with keyboard, 4 staves per system, 2 systems per page, p. 21, oblong folio, self wrappers, sewn, armorial bookplate of Biblioteca Papafava pasted on cover,

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