Publisher's Synopsis
Master's Thesis from the year 2019 in the subject Orientalism / Sinology - Arabistic, grade: 7.0, University of Ibadan, language: English, abstract: Imagine a world where ancient Arabic poetry clashes head-on with the vibrant sounds of contemporary Yoruba Fuji music - this groundbreaking study embarks on an unprecedented journey to explore the art of satire across seemingly disparate cultures and eras. Delving into the provocative verses of medieval Arab poets Farazdaq and Jarir, renowned for their stinging wit and social commentary, this dissertation draws fascinating parallels with the modern-day satirical expressions of Yoruba Fuji musicians Pasuma and Osupa. Through a meticulous comparative analysis, the research uncovers the enduring power of satire as a tool for social critique, examining how these artists, separated by centuries and geography, utilize their respective art forms to challenge norms, lampoon societal figures, and reflect the cultural values of their time. Employing the theory of typology, the study dissects the satirical techniques, structural elements, and thematic concerns that resonate across these diverse artistic landscapes, shedding light on the profound influence of religion, gender, and socio-political contexts on satirical expression. From the intricate wordplay of classical Arabic naqa'id to the energetic rhythms and lyrical dexterity of Fuji music, this exploration reveals the surprising commonalities and distinct nuances in how satire functions as both a mirror and a weapon within society. Discover how these artists navigate the delicate balance between humor and critique, exploring themes of power, identity, and social justice through their uniquely crafted satirical lenses. This comparative literature analysis offers fresh perspectives on cultural analysis, bridging the gap between ancient traditions and contemporary artistic practices, ultimately demonstrating the timeless relevance of satire as a vital form of cultural dialogue a
