Vignola: or, the compleat architect. Shewing, in a plain and easy way, the rules of the five orders in architecture, viz. Tuscan, Dorick, Ionick, Corinthian and composite. The fifth edition, with additions.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
British Library

T050790

Issued with 'The theory and practice of architecture; or Vitruvius and Vignola abridg'd .. ', 1703. With 51 numbered plates [no.32 occurs twice], of which numbers I-XXXII are included in the pagination. Gatherings unsigned after sig. A. The explanation

London: printed for R. Wellington, 1702. [7],16-80p., plates: ill.; 8°