Publisher's Synopsis
Collecting is one of the most common pastimes, and can often become a passion bordering on the obsessive. Our familiarity with the pursuit, however, obscures the questions at its heart: why do people amass things that have no use? What drives them to spend time and money getting hold of a single stamp, an unusual beermat, or a rare doll, only to put it in a folder or on a shelf? Why do we feel the need to possess these items, and why is it not enough to know that they exist in a museum, or somewhere else?;In this book, Philip Blom delves into the history of the collecting passion and explores it through a series of interlinked portraits, stories and discoveries, each characteristic of a period. What emerges is the story of a human quest more intimately linked with our primal needs than many would have thought possible.;Investigating the history of collecting from the Renaissance to our day, Blom shows a multiplicity of worlds: the scientific cabinets of the 15th century and an Italian scholar employed as dragon slayer; the "Ark" of the Tradescants and a friend's betrayal; Emperor Rudolf II's Prague collection as "practised alchemy"; the macabre art of Dr. Frederik Ruysch, first among embalmers; and the over-flowing menagerie of Sir Hans Sloane's curiosities, later to become the foundation of the British Museum. He also discusses the strange fate of Angelo Soliman, a black man at the Habsburg court who was stuffed and exhibited with wild animals; explores the rise of scientific collecting and classification, and parallel to it, the explosion of collecting as the private passion of hundreds of thousands; and introduces Robert Opie, whose collection of half a million items of household packaging now fills his home in London and two overflowing warehouses in Gloucestershire besides.;Out of this glittering diversity of material Blom distils the themes underlying this seemingly elusive pursuit; conquest and possession, and the awareness of our own mortality. The instinct to collect, he says, is rooted in our very being: "Saving the world, or a world, preserving history or genius, saintliness or innocence, touching something beyond our random existence is a labour of love, a constant ritual, one face of the desire to be authentic, to be human".
