Publisher's Synopsis
The five German plays now known as the Erlau Plays (Erlauer Spiele) were originally written and performed in or near the Austrian town of Gmünd in the early fifteenth century. An anonymous redactor later compiled the extant collection that consists of The Play at the Cradle of Christ, The Three Magi, The Visit to the Sepulcher, Mary Magdalene in Joy, and The Jews at the Lord's Sepulcher. In addition to being noteworthy artistic achievements in their own right, these pieces provide a vivid glimpse at the wide range of poetic, musical, and theatrical techniques available to their creators.
In these remarkable examples of medieval urban theater, the central events of Christian salvation history play out against the noisy, violent, venal, and often obscene backdrop of everyday life in a fifteenth-century marketplace. The plays demonstrate that the unlikely synthesis of devout piety, absurd humor, grotesque violence, scathing satire, profane sexuality, visual splendor, and musical sophistication - all of which are so characteristic of early German religious drama - is still capable of moving contemporary readers to laughter, empathy, and moral introspection.
A substantial introduction and extensive notes contextualize all five plays and elucidate their dramatic analogues, production values, and textual, musical, liturgical, and iconographic sources.
In these remarkable examples of medieval urban theater, the central events of Christian salvation history play out against the noisy, violent, venal, and often obscene backdrop of everyday life in a fifteenth-century marketplace. The plays demonstrate that the unlikely synthesis of devout piety, absurd humor, grotesque violence, scathing satire, profane sexuality, visual splendor, and musical sophistication - all of which are so characteristic of early German religious drama - is still capable of moving contemporary readers to laughter, empathy, and moral introspection.
A substantial introduction and extensive notes contextualize all five plays and elucidate their dramatic analogues, production values, and textual, musical, liturgical, and iconographic sources.
