Publisher's Synopsis
Rudolf Polanszky's cerebral and uniquely multidisciplinary work embraces the chance occurrences that arise throughout the creative process. The recent works presented in this volume exemplify the canvas-mounted and floor-based assemblages that he has been developing since the 1990s. To make his richly textured assemblages, Polanszky shatters and recombines salvaged industrial materials-including acrylic glass, aluminum, silicone, and wire-into purely aesthetic forms, freeing them of their original contexts. An essay by Francesco Stocchi considers the artist's work in relation to the concept of the void, while a conversation with the artist by Hans-Ulrich Obrist offers an overview of Polanszky's career. These illuminating texts are accompanied by full-color plates, ample rich details, and photographs of the artist at work in his studio.
