Publisher's Synopsis
Excerpt from Reminiscences of a Journalist
The Pilgrim's Progress and in the Diary, less generally known, of George F ox, the proto-quaker. The last work drew from Sir James Mackintosh words of praise which, to cooler minds, may seem a little exaggerated. But there is something delightful about all the Quaker autobiographies. Charles Lamb felt their charm, and was never weary of reading and of praising them. Their' frankness is their fas cination. For there can be nothing more engaging than a fresh and unstudied narration of religious experience, the abandon of conscientious veracity, the unadorned history of an individual soul, in its rise from the depths of despair to the exalted regions of an unquestioningefaith; and a man who, by the nature of his intellectual constitution, is doomed always to grope in the twilight of a lonely scepticism, may well envy these costly consolations of the poor, the unlettered, and the despised. The Quakers, believing in immediate and personal reve lation, thought nothing, in writing of themselves, too mean to be recorded, nothing too insignificant to be set down. One of the most charming of these Quaker autobiographies is that of Thomas Elwood. Honest John Whitehead, who Supervised its publi cation after Elwood's death, begins his Preface with the Scriptural quotation, Gather up the fragments that remain, that nothing be lost. I do not know that the title-page of any autobiography could be garnished with a more appropriate motto.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.