Publisher's Synopsis
This book includes more than 200 images that were published in 2020 in International Magazines.
I started submitting my work to magazines at the end of 2019 and had quite a success being published more than 20 times in one year. It is satisfying to see that your work is good enough to be published in a magazine, but the greater satisfaction is the memories of achieving to make these women proud of themselves and by portraying their inner beauty: that is one of my goals whenever I plan a shooting. Being able to create with all these amazing women was a pleasure and, I must say, a lot of work too. I've realized a lot of things about human beings, grown myself a bit more and learned a lot about photography and where I want to focus my efforts in the future. This books is available in two editions This is the budget edition, printed in black and white with a fairly "wide" dithering that tends to loose something in the grayscale. It is still a good purchase to evaluate the "feeling" of my images however, if you collect photography books, I suggest you to order the HR version, printed with a "finer" dithering that greatly enriches the vision. About me In a world where women alter their bodies trying to become perfect like dolls, I started my journey in photography by shooting with "real" dolls trying to represent them as women. Later, I began shooting portraits with real women just to realise that they can have an "unexpressed" beauty that is not what fashion magazines propose. My interest is not limited to a purely aesthetic, objective beauty, I always wonder about what the model is able to communicate through the lens. The models no longer perform the role of a mere mannequin, they are no longer the soulless bodies portrayed in fashion, instead, they become characters, each interpreting their own story that they let emerge with each shot. The "fil rouge" of my images is undoubtedly eroticism and I like to make it clear by taking specific areas of the female body, sometimes accentuating imperfections. Each asymmetry, mole or flaw becomes the detail that gives character to the subject and, instead of diverting the attention away, I rather place it at the center of the observer's gaze to be contemplated, admired even. I try to tell a unique story with each image - being that a fragment of an arm, a breast or a look - to conveys the charge and strength that the woman possesses and that I try to make it eternal.
