Publisher's Synopsis
Excerpt from Johannes Brahms, Vol. 3: Erster Halbband, 1874-1881
V. @apitet. 1879 - 1881 229 - 266 $mm in 28nbapeft. $die D-dur=601npbonie nnb ba� d-molb Ronaert im bortigen $bilbaunonifdyen @on5ert. 91ieganba @rfel nnb Rranciebic�. 2robert %oltmann unb fein 23irfen. Ebeofeffoe Babi�lau� %agner unb 9jtag (c)d)��. (R)abib'. Bopper, $ittor bon (c)mfelb, (c)an� Roefilen 92eniabr 1880 bei Rlata Schumann. (R)ie smitmzbeiterfdmft an bet (c)ebnmanm�n�gabe eine icbmere (R)ebnlbprobe fiir $rafnn�. *reue �egiebnngen an (c)ann0ber. Bone $ronfart uni) ban� 8�lom. ��lom nnb hie o ?lucbtr�ge an ben sbaben=$abener (c)epternbertagen bon 1877. Sbic 8ebnte (c)mpbonte in @ia�gom. "*1rafia (R)imena. 8etbe �mbm�icbe @mpbonien werben bon ��lom in bon nober aufgef�hrt. (�tnft %tant' bet 92ad;folger 28010103, Iabet ben %unub gm: S>inttton ieinee 28erfe nad;. �annober ein. (R)rei $rabm�!ongertm Smzn� leitet am 18. Summe ba8 (c)�rgni(R)=flongert in fl�ln. Ronaerte in �onn unb Reefelb. Rubolf b. Seven, 2[ngnft @riitet� unb Dntel >bederatb. �benb bei xv. B. �e9en. Soacbim micherbolt in %ien ba� %tolintongert unter 8rnbm�' �eitnng mit befierem @einlge. Qonmtreiie mit Soacbhn nad) boien nnb (�aligten. Rralan' �em�erg, $rag, 28ien. @ine im legten $�ttftbaebet Sommer begonnene neue C�3efle 11ngariid;er $�uge nairb im': Ut�rg erg�n5t nnb abgeichloifen. 92eue riabiertzio� in C unb Es-dur. 92nt bab erfte gebt 511! 80flenbnng. Unabb�ngigfeit be� $mbm�icben 11rteil�. $?on5erte in @tbtvatn unb R�nig�beeg. Qlloi� (c)cbmitt nnb feine (R)attin (�ornelicn @ngehnann�. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
