Publisher's Synopsis
Combining the physical and digital into "phygital," Larcher's computer-powered still lifes, films and photomontages focus on the consequences of artificial intelligence
The term "hallucinations" is used in AI research to describe the tendency of algorithms to misinterpret data or generate fictitious content. These phenomena are reflected in the works of Austrian artist Claudia Larcher (born 1979), offering a reflection on the possibilities and limits of digital technology in the visual arts.
