Publisher's Synopsis
Which narratives and which means of representation does Pier Paolo Pasolini use to investigate the 'myth of authenticity'? International Pasolini experts investigate this question in 18 essays in German language and present analyses of Pasolini's cinematic oeuvre, including shortfilms, documentaries and unfilmed screenplays, from "Accattone" to "La Ricotta" to "December 12" to "Porno-Teo-Colossal".