Publisher's Synopsis
This book addresses the complexities of authenticity and replication for the interpretation, display and conservation of cultural heritage. While advances in conservation science provide increasing amounts of information about the tangible properties of objects, their intangible and conceptual qualities also influence the work of the museum professional. New approaches towards display and use of collections have made the roles of curators, conservators, art historians and conservation scientists increasingly complex. The use of replicas in this changing environment is challenging conventions and broadens the discussion on authenticity or authenticities of materials, concepts and contexts.
