Publisher's Synopsis
Excerpt from A History of Greek Sculpture, Vol. 2 of 2
IT may be that an acquaintance with the personality of an artist, does not promote in the end a true judgment of his work. But we cannot deny that it has often furnished the pages of the historian with charm and vivacity. The History of Greek Sculpture presents no such opportunity. It has no Lives to beguile the student along an arduous path. Only here and there an incident, handed down on mostly a dubious authority, breaks the narrative of work done and the examination of what remains of it to our day. The sculptors of ancient Greece seem to have lost themselves in their art, and this might have been a less misfortune for us, if it also had not since their time disappeared in a great measure.
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