Publisher's Synopsis
Wind (art history, U. of Wisconsin-Milwaukee) examines depictions of human oddity, hunchbacks, cripples, and dwarfs in the work of Vel zquez, Rubens, Van Dyck, Ribera, and other artists of the 17th century. He traces the types of mental and physical infirmity from their origins in antiquity, and shows how human freaks piqued the era's general fasci