Publisher's Synopsis
Excerpt from A Book of Old Embroidery
There are two obvious points of view from which the consideration of the handicrafts may be approached - of the worker and of the user. In the case of embroidery these persons are often one and the same. In ancient and mediaeval times the dividing line was probably still harder to draw than it is now, and in an ideal state of things maker and user, worker and wearer, would be more closely identified than at present. There need be no fear that this would tend to depress any legitimate professional trade it would simply add to the amount of embroidery we should see around us and increase the general appreciation in which it would be held. It is for all alike. The most exalted names have added to their claim to remembrance and honour by their skill and interest in embroidery, and the work of the lowliest often merits a place of distinc tion, as many a peasant's frock or child's sampler bears witness (plates 11 and A tradition like this could be kept up, and there is no reason why it should not be done. The materials and implements needed are few, simple and inexpensive. Long and arduous training is of course needed in this, as in everything else, for the most accomplished work, and all honour to those who have devoted so much of their lives to the task. But a beginner's efforts, under due guidance, are Often admirable in their way. The help and encouragement of trained teachers and skilled amateurs, never more readily and ungrudgingly given than at the present time, are of much promise for the future.
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