Publisher's Synopsis
In an inter- and transmedial perspective, this volume attempts to trace the various semantic ordering processes that take place in the artistic treatment of the Thirty Years' War during the 20th and 21st centuries by reconstructing their respective interpretive frameworks. The contributions as a whole attempt to draw a bow between the multitude of appropriations and their specific artistic modalities. Although the focus is on German-language works, the European context is also taken into account.
